A review text
is a flexible genre which may vary according to the nature of the creative work
being worked on, the intended audience, and the aspects of the work considered
worth commenting on.
The Generic Structure of Review text:
1)
Title: Briefly
identifies the subject of the review in some interesting way, and generally is
linked to the reviewer’s name.
2) Identification of the work:
Identifies:
a.
The name of the
creative work which is the subject of the review.
b.
What kind of work it is
(such as film, movie, novel, research investigation, books, cassette etc)
c.
Its author(s),
publisher or producer, and date of production. Not all these details are
necessary.
3) Evaluation of the work: the reviewers describe particular aspect of the work and offer their
opinion regarding them, their quality, effectiveness, and so forth.
4) Conclusion/Recommendation: the reviewer summarizes their assessment of
the value of the work, and makes recommendations regarding how others should
regard the work.
Example:
2012
Film Review
2012 is Roland Emmerich's film which
uses the Mayan calendar and other end-of-days prophecies for their doomsday
scenario. It imagines the world coming to an end in 2012.
2012 film brings off a series of
wonders. The movie hits its peak early on. It starts when Cusack drives a limo
through the streets of Los Angeles as freeways and skyscrapers crumble all
around him from the shock of a 10.5 earthquake. The preposterous flying
sequence is equally thrilling. The climax occurs aboard the giant ark, when an
equipment malfunction almost threatens the entire mission.
Unfortunately, the crucial sequence is
not filmed or edited with the requisite clarity. In 2012 film, Emmerich leaves
us befuddled as to exactly what is happening to whom. However, Emmerich' 2012
deserves credit for offbeat casting. Cusack supplies his trademark hangdog
charm. McCarthy has perhaps his best role ever as Peet's cocky. Danny Glover
lends dignity to the role of the tormented president. Chiwetel Ejiofor, as the
chief scientist, brings a moving sense of anguish to a stock role. Platt has
fun playing the villain of the piece, and Woody Harrelson also chews the
scenery as a bug-eyed radio prophet trying to warn his listeners about
Armageddon.
All in one, 2012's cinematography,
production design and visual effects are awards-worthy. Music also propels the
movie. It presents American Idol runner-up, Adam Lambert, who provides a
rousing anthem over the end credits.
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